Shotover the last three years, Laurent is followed across the globe, immersing us into the exceptional, yet everyday life of one of the most respected DJ’s in the world. This unique insight draws an intimate portrait of the man behind the legend, the legend behind the decks. Through Laurents own words, we travel his unique course in life. C1– Laurent Garnier – On The Record (Special Edit) (06:35) C2 – Marl Chingus – Moaning About Technology (06:14) C3 – The Limiñanas – Motorizzati Marie (03:56) D1 – Flavien Berger – Léviathan (13:28) D2 – Jeff Mills – Sleep Wake Cycles (08:32) D3 – Laurent Garnier – Tbilissi (02:13) DOWNLOAD FLAC Laurent Garnier - Off The SLN016’ is a 4 break beat track journey which kicks off the release of the opening track ‘SLN016A1’. Easing into break house at it’s finest with soulful vocals, organic drumming and jazzy bass lines. In his ‘state of flow’ attitude, Erta Ale presents quite possibly his best electro-break house release so far; thick kicks interpolated with chords and Penningan introduction detailing Laurent Garnier’s career risks conceiving a text longer than the Real Talk itself. Having been making the planet dance for over 30 years, Garnier is a man who needs no introduction—but for those few who remain unaware of his extensive and ongoing contributions to dance music culture, we’ll lay out his story (which GabinRivoire’s documentary “Laurent Garnier: Off the Record,” which explores the origins and rise of techno music through the eyes of one of its pioneers, is set to world premiere on May 7 IDMC LAURENT GARNIER OFF THE RECORD (2021) Résumé. Retour sur les trente ans de carrière du DJ Laurent Garnier, devenu l'une des icônes de la musique électronique après en avoir été l'un des pionniers. De New York à Tokyo, de Hong-Kong, à Détroit ou Londres, Garnier a fait danser les foules du monde entier. Avec en filigrane, le Y2oA3fy. United Kingdom / Belgium 2021, 93 min Section Horizons Year 2021 How does the famous DJ and music producer see his own story and the history of techno, rave, and house music? The film follows Garnier around the globe, taking us to Chicago, Detroit and elsewhere, accompanied by the obligatory bass drop. Synopsis How does the famous DJ and music producer see his own story and the history of techno, rave, and house music? Why was techno initially considered a threat in France? The film follows Garnier around the globe, taking us to Chicago, Detroit and elsewhere, accompanied by the obligatory bass drop. DJ superstar Garnier performs in Barcelona, Tbilisi, and Tokyo, and the film also includes other pioneers of electronic dance music such as Carl Cox, Pedro Winter, Jeff Mills, Derrick May, and the French filmmaker and musician Quentin Dupieux, Mr. Oizo. Pavel Klusák About the director Gabin Rivoire. Filmography Violence with Benefits 2012, short doc., Cellule 2014, short doc., Laurent Garnier Off the Record 2021, doc.. About the film Color, DCP Section Horizons Director Gabin Rivoire Dir. of Photography Gabin Rivoire, David Job Editor Antoine Gazaniol Producer Julien Loeffler Production Featuristic Films Coproduction Agent Double, Anton Sales Anton Guests Gabin Rivoire Film Director Laurent Garnier Protagonist Sekes Member Se incorporó 21 Marzo 2019 Mensajes 799 Puntos 16 1 Laurent Garnier - Off The Record 2021, Blu-ray Title Laurent Garnier - Off The Record Year of release 2021 Genre Electronic, House, Documentary Released Featuristic Films Director Gabin Rivoire Cast Laurent Garnier, Abd Al Malik, Ellen Alien​ Tracklist A look into the life of Laurent Garnier, one of the godfathers of house music, from his emergence on the music scene in the 80's to now. The story of the last music revolution through the eyes of a pioneer. Film 1 Off The Record Suppléments 2 Entretien Avec Laurent Garnier Dans Les Coulisses Du Film Making Off 3 Laurent Dans Tous Ses Etats 4 Bêtisier Scènes Coupées 5 Kerri Parle De Frankie 6 Carl Cox Parle de Kraftwerk 7 Manu Le Malin Parle De Underground Resistance 8 Jeff Mills Next Revolution 9 L'Après French Touch 10 Laurent Garnier Et Sa Notoriété 11 Christian Paulet Et L'Industrie 12 La Médiatisation Quality Blu-ray Video MPEG-4 AVC Video / 23520 kbps / 1080i / 25 fps / 169 / High Profile Audio DTS-HD Master Audio / French / / 48 kHz / 3491 kbps / 24-bit Audio DTS-HD Master Audio / English / / 48 kHz / 3837 kbps / 24-bit Total Size GB Total Time 012909, 010933 Download Hoster ​ MIF presents the UK premiere of Gabin Rivoire’s documentary Laurent Garnier Off the Record, 11 July a film about the life and career of the famous French DJ, producer and techno pioneer, and the history of the political and judicial response to rave culture. The film mixes tour footage and interviews interspersed with archival footage that provides a flashback to the late ’80s when the techno scene was emerging in Detroit and England, in clubs like Manchester’s Haçienda, where Laurent Garnier started his DJing journey. The premiere will be followed by a Q&A with Garnier and writer, broadcaster and fellow Haçienda DJ Dave Haslam. Image Gallery FOR MORE INFORMATION, IMAGES, QUOTES AND INTERVIEW REQUESTS PLEASE CONTACTManchester International FestivalEmma Robertson, Head of Press and PR, +44 07813 521104, Hargreaves, Senior Press Officer, +44 07534 492118, Lister, Press Officer, +44 07494 688523, il y a 9 moisAvec "Off the Record", portrait de Laurent Garnier doublé d'un abrégé d'histoire de la musique électronique, Gabin Rivoire livre un documentaire aussi foisonnant que photographe et réalisateur français, ayant signé en 2012 le documentaire Violence with Benefits centré sur le groupe de rock Narrow Terence, Gabin Rivoire œuvre depuis 2013 pour le compte du festival Yeah!, qui a lieu début juin dans le village de Lourmarin, en Provence. C'est par ce biais qu'il a fait la connaissance de Laurent Garnier, coorganisateur dudit festival et héraut illustre de la scène les deux hommes ont commencé à évoquer l'idée de faire un film ensemble, ils sont vite tombés d'accord au-delà d'un docu-portrait de Garnier, il devrait s'agir aussi – et peut-être surtout – de retracer la folle épopée de la musique électronique, appréhendée à travers la figure iconique du musicien français, en cherchant à s'adresser aux fans autant qu'aux sillon originalUne fois le projet lancé, Gabin Rivoire a suivi Laurent Garnier à travers le monde, de clubs en festivals, entre 2017 et 2019. Au matériau filmique issu de cette période s'ajoutent de nombreuses images d'archives, parfois très rares et croquignolettes, comme les photos de jeunesse, le tout monté avec un remarquable sens du rythme et de la mise en par des extraits d'entretiens avec le principal intéressé, à la percutante liberté de ton, Laurent Garnier Off the Record intègre…Jérôme ProvençalLire tout l'article Gabin Rivoire’s documentary “Laurent Garnier Off the Record,” which explores the origins and rise of techno music through the eyes of one of its pioneers, is set to world premiere on May 7 in front of a live audience at the CPHDOX festival in Copenhagen. Anton, which is handling world sales, has released its first official trailer exclusively to Variety. Garnier, one of the world’s leading DJs and a well-respected music producer, talks to Variety from his home in France, which is still in lockdown, preventing him from traveling to the premiere, about how the film evolved, his love of techno, and how the pandemic caused him to stop listening to techno music for the first time in more than 30 had been approached a few times by people wanting to make a documentary about his life, but wanted to “open the doors and work in trust” with a filmmaker, he says. “Laurent Garnier Off the Record” is to a certain extent the result of a collaboration between Garnier and Rivoire, initiated by the DJ, although he underscores the point that it is told from the director’s perspective, not two men got to know each other nine years ago when Rivoire shot a film about YEAH!, a music festival in Southern France that Garnier co-organizes. Rivoire knew very little about techno, Garnier says, but the DJ liked his approach to capturing music on film in “a very detached way,” which Garnier describes as “beautiful poetry.”“It’s very hard to film passion,” he says. “And when I saw Gabin’s work, I thought he will be able to bring it. Because passion is the one thing that really – since a very young age – has driven me to do what I do. I’m very passionate about music and quite serious about it.”After a few years of working together, Garnier suggested that they team up together on a documentary project. So, over the next year and a half, Rivoire followed Garnier as he toured the world DJing at 2003, Garnier had published a book “Electrochoc,” “telling the story of house and techno music, linked with my story, but going quite deep into disco [as well as earlier forms of dance music],” Garnier says. A French production company was keen to produce a fiction film based on the book, but after several years of development the project failed to move forward. About three years ago, when the French producer attached to the narrative film passed on the idea of a separate documentary, Garnier took both projects to producer Julien Loeffler at London-based Featuristic Films, who came on board, but with the proviso that the documentary would go Garnier set off on his 2018/2019 world tour, Rivoire traveled with him, taking in performances in front of 15,000 people at Sónar Festival in Barcelona, Bassiani, a mecca for techno in Tbilisi, Republic of Georgia, and crowded clubs in Tokyo. Rivoire also filmed interviews with other dance music pioneers, such as Carl Cox, Pedro Winter, Seth Troxler, Jeff Mills and Derrick the film, the tour footage and interviews are interspersed with archival footage that provides a flashback to the late 80s, when the techno scene was emerging in Detroit and England, in clubs like Manchester’s Hacienda, where Garnier started his DJing journey, and then Rex, a club in Paris, where Garnier moved to next. The film also includes the political and judicial response to rave culture, which in some countries was met with police brutality. There was a hostile reception to techno in France, for example, where it was viewed as a “threat,” Garnier says. “We’re not where we are today without a fight.” Finally, the film takes us to 2017, when Garnier celebrated the 30th anniversary of his first appearance as a resident DJ at Rex, and when he received the Legion of Honor medal from French politician Jack Lang. Garnier’s views on the events and the music overlay the archival about his relationship with Rivoire, Garnier says he’s “extremely happy” with how they worked together, and the documentary that came out of that collaboration. “We really became quite close. We spent like four years on the road together. And then when he started to edit the documentary, he really got me very involved with the process, which I thought was really interesting.“And I am very happy now with the result, because we have my story, but then within that we have Gabin’s style. We have everything I like about what he does in a longer film than what he ever did for us before. Like every project I do, I get very, very involved with it, because I do things with my heart, and we tried to do good things.”There were two things he emphasized with Rivoire when the director was writing the script. These were “We need to feel the passion. We need to understand that it’s all about the community. It’s all about sharing things, because I’m not an artist who works on his own.”The power of the techno community showed itself after the film’s producers started a Kickstarter crowd-funding campaign in France, which delivered a third of the movie’s shutdown has been hard for everyone but particularly difficult for Garnier to endure, after 30 years on the road with his music. It has been “extremely destabilizing,” he says. “I was missing very much seeing people, sharing things with people.” But, on the plus side, it has also reinforced his awareness of what his life as a DJ has given him. “This is my fuel. You know, this is what I need. I don’t do drugs. I don’t drink very much. But the shot of adrenaline I get and the pleasure I get from sharing music with people is extremely strong,” he says.“I always said and really thought this – it’s not bullshit – that I was a very lucky guy. Because I’ve lived through an amazing musical revolution. Techno for me was the essence of everything I loved,” he says, citing his boundary crossing love of a swathe of musical genres – including jazz, disco, soul, reggae and New Wave – and techno seemed to embrace all those disparate influences. He also feels lucky that his career has lasted so long, and he can still draw massive crowds to his given his love of techno, there was one surprising side-effect of the pandemic for the DJ during the first shutdown. “For six months – for the first time in 30 years – I could not listen to techno anymore. Because for me, techno was always the music that was looking at the future. It’s always been a very futuristic music; always looking forward,” he says. “When everything stopped – because we did not have any idea of where all this was going – for the first time in my life, I kind of had a wall in front of me. And techno was not relevant anymore, and I stopped listening to techno.” Instead he’s been listening to a lot of old French songs, funk, soul and a lot of psychedelic. “I actually produced an album with a psychedelic band during the first lockdown,” he with the vaccine rollout and with some people talking to him about dates for gigs in a few months or so, he has returned to techno. “Now that we have a light at the end of the tunnel, I’ve been able to re-embrace techno and re-listen to techno. It’s very strange, but that was like almost a physical thing,” he experience chimes with his view of the DJing art. “Music has always been a question of what suits the surroundings and the moment and the place. As a DJ, I’ve always said it’s playing the right record at the right time. You can do anything when you are DJing, but not anytime. You have to read the right moment to play anything. You can play records at five in the morning, where if you would have played them three hours before you would have got killed,” he says.“And this is what’s interesting within DJing – it’s finding the right moment where you can hit people hard and they can go home and remember the night because of the records you played at that time, because it became magical.”Garnier says that when he starts DJing again, for the first few months, there will be some tracks he won’t play. He compares it to the choice of films he wants to see when the movie theaters reopen in France. “You know what? I’d like to dream a bit. And I’d like to laugh a bit. And I’d like to hope. If they program something really dark… fuck it, I won’t come. Because I don’t need that,” he says. “And I think music-wise, it will be the same. I receive tons of promos and the guys who are making really hard techno, I don’t understand it at the moment, because for me, it so doesn’t fit the period.”He adds “So, you know, perhaps my first gigs, I might be influenced by my mood, and how I feel, and I think I’ll be so happy to be able to share music again.”Subscribe to Variety Newsletters and Email Alerts!

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